000			01689nam a2200373 i 4500
001			EDZ0001252581
003			StDuBDS
005			20240216142722.0
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007			cr |||||||||||
008			150701s2015 nyu fob 001|0|eng|d
020			_a9780191799778 (ebook) : _cNo price
040			_aStDuBDS _beng _cStDuBDS _erda _epn
050		4	_aKZ1266
082	0	4	_a341.48 _223
100	1		_aParker, James E. K., _eauthor.
245	1	0	_aAcoustic jurisprudence : _blistening to the trial of Simon Bikindi / _cJames E.K. Parker.
250			_aFirst edition.
264		1	_aNew York : _bOxford University Press, _c2015.
300			_a1 online resource
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
504			_aIncludes bibliographical references and index.
520	8		_a'Acoustic Jurisprudence' provides a detailed study of the trial of Simon Bikindi, who was convicted by the International Criminal Tribunal for Rwanda of inciting genocide with his songs. Using Bikindi as a case study, this book develops the many relations between law and sound, and the importance of sound in legal practice more widely.
588			_aDescription based on online resource; title from home page (viewed on October 14, 2015).
600	1	0	_aBikindi, Simon _xTrials, litigation, etc.
650		0	_aInternational law and human rights.
650		0	_aMusic _xLaw and legislation.
650		0	_aMusic and genocide.
650		0	_aEntertainers _xLegal status, laws, etc.
776	0	8	_iPrint version : _z9780198735809
856	4	0	_3Oxford scholarship online _uhttp://dx.doi.org/10.1093/acprof:oso/9780198735809.001.0001
999			_c6725 _d6725