000 | 05043cam a2200565Ki 4500 | ||
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001 | 9781003247593 | ||
003 | FlBoTFG | ||
005 | 20240213122833.0 | ||
006 | m o d | ||
007 | cr cnu|||unuuu | ||
008 | 211007s2021 xx eo 000 0 eng d | ||
040 |
_aOCoLC-P _beng _erda _epn _cOCoLC-P |
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020 |
_a9781003247593 _q(electronic bk.) |
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020 |
_a1003247598 _q(electronic bk.) |
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020 |
_a9781000511741 _q(electronic bk. : EPUB) |
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020 |
_a100051174X _q(electronic bk. : EPUB) |
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020 | _z9781032162218 | ||
020 | _z9780367441517 | ||
020 |
_a9781000511710 _q(electronic bk. : PDF) |
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020 |
_a1000511715 _q(electronic bk. : PDF) |
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020 | _z0367441519 | ||
035 | _a(OCoLC)1273728252 | ||
035 | _a(OCoLC-P)1273728252 | ||
050 | 4 | _aK87 | |
072 | 7 |
_aART _x015000 _2bisacsh |
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072 | 7 |
_aART _x037000 _2bisacsh |
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072 | 7 |
_aDES _x004000 _2bisacsh |
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072 | 7 |
_aLA _2bicssc |
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082 | 0 | 4 |
_a340.0285 _223 |
245 | 0 | 0 |
_aLaw's Documents : _bAuthority, Materiality, Aesthetics. |
250 | _aFirst edition. | ||
264 | 1 |
_a[Place of publication not identified] : _bRoutledge, _c2021. |
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300 | _a1 online resource (392 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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505 | 0 | _aPART I: WHAT IS A DOCUMENT? 1.Law⁰́₉s Documents: Authority, Materiality, Aesthetics (Katherine Biber, Trish Luker and Priya Vaughan) 2.In Wood and Word, or, A Gloss on Documents and Documentation in the Humanities (Bonnie Mak) PART II: AUTHORITY 3.When Records Speak we Listen: Conversations with the Archive (Jeanine Leane and Natalie Harkin) 4.Passport Struggles: Lawful Documents and the Politics of Recognition and Refusal (Sara Dehm) 5.What is a Bogus Document? Refugees, Race and Identity Documents under Australian Migration Law (Anthea Vogl) 6.The Historian as Document Producer: A Candid Reflection on the Production of Oral History Timed Summaries (Jesse Adams Stein) 7.Forty-nine most common phrases (Alison Whittaker) PART III: MATERIALITY 8.Law⁰́₉s Signature Acts (Trish Luker) 9.Treaty Documents: Materialising International Legal Agreement (Jessie Hohmann) 10.Conjuring Documents: Informal Wills (Katherine Biber) 11.Powerful Documents from the Archive: Nyungar Letters and the Ancestors Words Project (Anna Haebich, Darryl Kickett, Marion Kickett, Anthony Kickett, Jeannie Morrison) 12.Material Violence: Destruction, Mishaps, and Redaction of Stasi Photographs (Donna West Brett) PART IV: AESTHETICS 13.Artists and Legal Documents: Aesthetic, Witnessing, and Affective Power (Priya Vaughan) 14.The Rape Contract (Shevaun Wright) 15.The Aesthetic Archive: Appropriating Legal Documents in Visual Art (Carolyn McKay) 16.OA_RR: Documenting Sovereignty (Georgine Clarsen) 17.Historio-graphic: Knowledge Design Methods for Interpreting Documents (Anne Burdick, Jacquie Lorber-Kasunic, Kate Sweetapple) 18.Artistic License: Joan Kee interviews Carey Young | |
520 | _aIlluminating their breadth and diversity, this book presents a comprehensive and multidisciplinary view of legal documents and their manifold forms, uses, materialities and meanings. In 1951, Suzanne Briet, a librarian at the Bibliotheque Nationale in Paris, famously said that an antelope in a zoo could be a document, thereby radically changing the way documents were analysed and understood. In the fifty years since this pronouncement, the digital age has introduced a potentially limitless range of digital and technological forms for the capture and storage of information. In their multiplicity and their ubiquity, documents pervade our everyday life. However, the material, intellectual, aesthetic and political dimensions and effects of documents remain difficult to pin down. Taking a multidisciplinary and international approach, this collection tackles the question, what is a legal document?, in order to explore the material, aesthetic and intellectual attributes of legal documentation; the political and colonial orders reflected and embedded in documents; and the legal, archival and social systems which order and utilise information. As well as scholars in law, documentary theory, history, Indigenous studies, art history and design theory and practice, this book will also appeal to those working in libraries, archives, galleries and museums, for whom the ongoing challenges of documentation in the digital age are urgent and timely questions. | ||
588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 |
_aLaw _xData processing. |
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650 | 0 | _aLegal documents. | |
650 | 0 |
_aLaw _xInterpretation and construction _xSources. |
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650 | 7 |
_aART / History / General _2bisacsh |
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650 | 7 |
_aART / Art & Politics _2bisacsh |
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700 | 1 | _aBiber, Katherine | |
700 | 1 | _aVaughan, Priya Devii | |
700 | 1 | _aLuker, Trish | |
856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003247593 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c6137 _d6137 |