000 | 03963cam a2200565 i 4500 | ||
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001 | 9781003177081 | ||
003 | FlBoTFG | ||
005 | 20240213122832.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 220912t20232023enka ob 001 0 eng | ||
040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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020 |
_a9781003177081 _qelectronic book |
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020 |
_a1003177085 _qelectronic book |
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020 |
_a9781000841312 _qelectronic book |
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020 |
_a1000841316 _qelectronic book |
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020 |
_a1000841421 _qelectronic book |
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020 |
_a9781000841428 _q(electronic bk.) |
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020 |
_z9781032010540 _qhardcover |
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020 |
_z9781032010878 _qpaperback |
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024 | 7 |
_a10.4324/9781003177081 _2doi |
|
035 | _a(OCoLC)1348643414 | ||
035 | _a(OCoLC-P)1348643414 | ||
050 | 0 | 4 |
_aN408 _b.C876 2023 |
072 | 7 |
_aART _x059000 _2bisacsh |
|
072 | 7 |
_aART _x006000 _2bisacsh |
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072 | 7 |
_aART _x015110 _2bisacsh |
|
072 | 7 |
_aGM _2bicssc |
|
082 | 0 | 0 |
_a708 _223/eng/20221021 |
245 | 0 | 0 |
_aCurating the contemporary in the art museum / _cedited by Malene Vest Hansen and Kristian Handberg. |
264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2023. |
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264 | 4 | _c©2023 | |
300 |
_a1 online resource (xvii, 257 pages) : _billustrations. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aRoutledge research in art museums and exhibitions | |
505 | 2 | _aDance, Performance and Social Media in the Postdigital Museum / Claire Bishop -- Torpedoes and Trees: Staging the Modern Art Collection at the Moderna galerija, Ljubljana / Sebastian Mühl -- Escape Attempts or Institutional Transformations? On Moderna Museet's Information Center Project (1970-73) and the Filialen Experiments (1971-73) / Kim West. | |
520 |
_a"Curating the Contemporary in the Art Museum investigates the art museum as a space where the contemporary is staged - in exhibitions, collecting practices, communication, and policies. Curating the Contemporary in the Art Museum traces the art museum back to the postwar era. Including contributions by established and emerging art historians, academics and curators, the book proposes that the art museum is engaged in the contemporary in a double sense: it (re)presents contemporary art, while the contemporary condition itself also has a significant impact on art and the museum that houses it. Presenting a diverse range of international cases of exhibitions and curatorial practices, which hail primarily from Europe and Scandinavia, the essays examine the politics of staging "national", "international", and "global" framings of modernism, as well as the new public spaces shaped in digital practices and changing political frameworks. The book investigates both the seminal and the unknown exhibitions and institutions that created contemporary art as we know it today. Curating the Contemporary in the Art Museum provides a historical perspective on the museum of contemporary art. It constitutes a step towards differencing the canon of modernist and contemporary art and a more complex understanding of the politics of curating the contemporary in the art museum, why it will be of interest to academics and students engaged in the study of museums, curating, exhibitions, and art history"-- _cProvided by publisher. |
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588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 |
_aArt museums _xCuratorship. |
|
650 | 0 |
_aArt, Modern _y21st century. |
|
650 | 7 |
_aART / Collections, Catalogs, Exhibitions _2bisacsh |
|
650 | 7 |
_aART / History / Contemporary (1945-) _2bisacsh |
|
700 | 1 |
_aHandberg, Kristian, _eeditor. |
|
700 | 1 |
_aHansen, Malene Vest, _eeditor. |
|
830 | 0 | _aRoutledge research in art museums and exhibitions. | |
856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003177081 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c5969 _d5969 |