000 | 03835cam a22005658i 4500 | ||
---|---|---|---|
001 | 9781003108238 | ||
003 | FlBoTFG | ||
005 | 20240213122831.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 211207s2022 enk ob 001 0 eng | ||
040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
||
020 |
_a9781003108238 _q(ebook) |
||
020 | _a1003108237 | ||
020 |
_a9781000570571 _q(electronic bk. : EPUB) |
||
020 |
_a1000570576 _q(electronic bk. : EPUB) |
||
020 |
_a9781000570533 _q(electronic bk. : PDF) |
||
020 |
_a1000570533 _q(electronic bk. : PDF) |
||
020 |
_z9780367621711 _q(hardback) |
||
020 |
_z9780367621759 _q(paperback) |
||
024 | 7 |
_a10.4324/9781003108238 _2doi |
|
035 | _a(OCoLC)1290723167 | ||
035 | _a(OCoLC-P)1290723167 | ||
050 | 0 | 0 | _aAM91.Z54 |
072 | 7 |
_aART _x059000 _2bisacsh |
|
072 | 7 |
_aHIS _x001040 _2bisacsh |
|
072 | 7 |
_aHIS _x001000 _2bisacsh |
|
072 | 7 |
_aGM _2bicssc |
|
082 | 0 | 0 |
_a069.096891 _223/eng/20220103 |
245 | 0 | 0 |
_aIndependent museums and culture centres in colonial and postcolonial Zimbabwe : _bnon-state players, local communities and self-representation / _cedited by Thomas Panganayi Thondhlana, Dawson Munjeri, and Jesmael Mataga. |
264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c[2022] |
|
300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
490 | 0 | _aRoutledge research on museums and heritage in Africa | |
520 |
_a"Independent Museums and Culture Centres in Colonial and Postcolonial Zimbabwe presents case studies that grapple with the issue of 'decolonising practice' in privately owned museums and cultural centres in Zimbabwe. Including contributions from academics and practitioners, this book focuses on privately-run cultural institutions and highlights that there has, until now, been scant scholarly information about their existence and practice. Arguing that the recent resurgence of such museums, which are not usually obliged to endorse official narratives of the central government, points to some desire to decolonise and indigenise museums, the contributors explore approaches that have been used to reconfigure such colonially inherited institutions to suit the postcolonial terrain. The volume also explores how privately-owned museums can tap into or contribute to current conversations on decoloniality that encourage reflexivity, inclusivity, de-patriarchy, multivocality, community participation and agency. Exploring the motives and purpose of such institutions, the book argues that they are being utilised to confront deeply entrenched stigmatisation and marginalisation. Independent Museums and Culture Centres in Colonial and Postcolonial Zimbabwe demonstrates that postcolonial African museums have become an arena for negotiating history, legacies, and identities. The book will be of interest to academics and students around the world who are engaged in the study of museums and heritage, African studies, history and culture. It will also appeal to museum practitioners working across Africa and beyond"-- _cProvided by publisher. |
||
588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 |
_aMuseums _zZimbabwe. |
|
650 | 0 |
_aArts facilities _zZimbabwe. |
|
650 | 0 |
_aCommunity centers _zZimbabwe. |
|
650 | 0 |
_aDecolonization _zZimbabwe. |
|
650 | 7 |
_aHISTORY / Africa / South / General _2bisacsh |
|
650 | 7 |
_aHISTORY / Africa / General _2bisacsh |
|
700 | 1 |
_aThondhlana, Thomas Panganayi, _eeditor. |
|
700 | 1 |
_aMunjeri, Dawson, _eeditor. |
|
700 | 1 |
_aMataga, Jesmael, _eeditor. |
|
856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003108238 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c5816 _d5816 |