000 | 03414cam a22005418i 4500 | ||
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001 | 9781003022831 | ||
003 | FlBoTFG | ||
005 | 20240213122830.0 | ||
006 | m d | | | ||
007 | cr ||||||||||| | ||
008 | 200331s2020 nyu ob 001 0 eng | ||
040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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020 |
_a9781003022831 _q(ebook) |
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020 |
_a1003022839 _q(ebook) |
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020 |
_a9781000045505 _q(electronic bk. : PDF) |
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020 |
_a1000045501 _q(electronic bk. : PDF) |
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020 |
_a9781000045574 _q(electronic bk. : Mobipocket) |
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020 |
_a1000045579 _q(electronic bk. : Mobipocket) |
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020 |
_a9781000045642 _q(electronic bk. : EPUB) |
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020 |
_a1000045641 _q(electronic bk. : EPUB) |
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020 |
_z9780367901356 _q(hardback) |
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035 | _a(OCoLC)1149295290 | ||
035 | _a(OCoLC-P)1149295290 | ||
050 | 0 | 0 | _aAM40 |
072 | 7 |
_aART _x059000 _2bisacsh |
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072 | 7 |
_aART _x015110 _2bisacsh |
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072 | 7 |
_aHIS _x010000 _2bisacsh |
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072 | 7 |
_aGM _2bicssc |
|
082 | 0 | 0 |
_a069.094 _223 |
100 | 1 |
_aPapastergiadis, Nikos, _d1962- _eauthor. |
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245 | 1 | 0 |
_aMuseums of the commons : _bL'internationale and the crisis of Europe / _cNikos Papastergiadis. |
264 | 1 |
_aAbingdon, Oxon, ; New York : _bRoutledge, _c2020. |
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300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bn _2rdamedia |
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338 |
_aonline resource _bnc _2rdacarrier |
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520 |
_a"The Museums of the Commons examines L'Internationale, an ongoing confederation between six museums and contemporary art institutions in Europe. Drawing on extensive interviews with the directors, curators, public programs officers in all the museums, as well as artists, critics and members associated with them, the book provides a transversal account that connects the ideas across the various institutions and situates this in the wider visual and social context. Chronicling the challenges faced by the museums, Papastergiadis goes on to situate their responses within the wider political and cultural context that is shaping the future of all contemporary art museums. Five key domains of research are explored within the book, including: the genealogy of the museum; the need for alternative models of trans-institutional governance; examples of innovation in the spaces of aesthetic production; experimentation in the forms of partnership and engagement with constituents; and finally, examination of the impact of a collaborative and collective regime of artistic practices. The Museums of the Commons provides a multi-perspectival account of a trans-institutional and transnational collaboration, which will be of great interest to academics, researchers and postgraduate students working in the fields of Museum Studies, Cultural Studies, Art History, Media and Communication."-- _cProvided by publisher. |
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588 | _aOCLC-licensed vendor bibliographic record. | ||
610 | 2 | 0 |
_aInternationale (Organization) _xHistory. |
650 | 0 |
_aMuseum cooperation _zEurope. |
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650 | 0 |
_aMuseums and community _zEurope. |
|
650 | 0 |
_aCulture and globalization _zEurope. |
|
651 | 0 |
_aEurope _xCultural policy. |
|
650 | 7 |
_aART / History / Contemporary (1945-) _2bisacsh |
|
650 | 7 |
_aHISTORY / Europe / General _2bisacsh |
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856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003022831 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c5677 _d5677 |