000 | 03555cam a22005658i 4500 | ||
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001 | 9781003142393 | ||
003 | FlBoTFG | ||
005 | 20240213122825.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 220601s2023 enk ob 001 0 eng | ||
040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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020 |
_a9781003142393 _q(ebook) |
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020 | _a1003142397 | ||
020 |
_a9781000728187 _q(electronic bk. : PDF) |
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020 |
_a1000728188 _q(electronic bk. : PDF) |
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020 |
_a9781000728248 _q(electronic bk. : EPUB) |
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020 |
_a1000728242 _q(electronic bk. : EPUB) |
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020 |
_z9780367688776 _q(hardback) |
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020 |
_z9780367695859 _q(paperback) |
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024 | 7 |
_a10.4324/9781003142393 _2doi |
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035 | _a(OCoLC)1332890675 | ||
035 | _a(OCoLC-P)1332890675 | ||
050 | 0 | 0 | _aNX160 |
072 | 7 |
_aBUS _x074000 _2bisacsh |
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072 | 7 |
_aBUS _x025000 _2bisacsh |
|
072 | 7 |
_aART _x043000 _2bisacsh |
|
072 | 7 |
_aKJVX _2bicssc |
|
082 | 0 | 0 |
_a700.1/9 _223/eng/20220621 |
100 | 1 |
_aWhite, Jason C., _d1982- _eauthor. |
|
245 | 1 | 0 |
_aInnovation in the arts : _bconcepts, theories, and practices / _cJason C. White. |
264 | 1 |
_aAbingdon, Oxon : _bRoutledge, _c[2023] |
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300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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505 | 0 | _aKey terms for mutual understanding -- A theory of art innovation -- A theory of art movement innovation -- A theory of audience experience innovation -- Conclusions and suggested directions. | |
520 |
_a"This concise guide aims to increase what we understand by innovation in the arts and identify and support opportunities and strategies for the unique ways in which artists and arts administrators think about, engage in, and pursue successful innovation in their diverse creative practice. Innovations in the Arts are often marginalized from a research perspective, in part because of the lack of a sound and compelling theoretical framework to support and explain process distinctions from business and management innovation. This book identifies three key concepts - art innovation; art movement innovation and audience experience innovation - supported by formal theory for each concept presented and evidenced through case studies in art history. In this way, the book enables readers to identify, explain and support their innovation efforts as visual, literary and performing artists and arts administrators. It also explores strategies for pursuing innovation in practice. Drawing attention to the unique ways in which artists and arts administrators think about and engage in innovation, this readable book will be essential reading for students in all aspects of the creative and cultural industries and an essential guide to developing and promoting innovation in the arts for practitioners and researchers alike"-- _cProvided by publisher. |
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588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 | _aCreation (Literary, artistic, etc.) | |
650 | 0 |
_aArtists _xPsychology. |
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650 | 0 |
_aArts administrators _xPsychology. |
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650 | 0 | _aCreative thinking. | |
650 | 0 | _aOrganizational change. | |
650 | 7 |
_aBUSINESS & ECONOMICS / Nonprofit Organizations & Charities _2bisacsh |
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650 | 7 |
_aBUSINESS & ECONOMICS / Entrepreneurship _2bisacsh |
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650 | 7 |
_aART / Business Aspects _2bisacsh |
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856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003142393 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c4875 _d4875 |