000			03132cam a2200529Ma 4500
001			9781003080527
003			FlBoTFG
005			20240213122824.0
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007			cr |n|||||||||
008			210422s2021 xx o ||| 0 eng d
040			_aOCoLC-P _beng _cOCoLC-P
020			_a9781000401721 _q(electronic bk.)
020			_a1000401723
020			_a9781003080527 _q(electronic bk.)
020			_a1003080529 _q(electronic bk.)
020			_a9781000401677 _q(electronic bk. : PDF)
020			_a1000401677 _q(electronic bk. : PDF)
020			_z0367530082 (Cloth)
027			_a(Coutts)060620631
035			_a(OCoLC)1247649377
035			_a(OCoLC-P)1247649377
050		4	_aAM7
072		7	_aART _x059000 _2bisacsh
072		7	_aSOC _x054000 _2bisacsh
072		7	_aHIS _x000000 _2bisacsh
072		7	_aGM _2bicssc
082	0	4	_a306.4 _223
082	0	4	_a306.3620722 _223
100	1		_aAraujo, Ana Lucia.
245	1	0	_aMuseums and Atlantic Slavery _h[electronic resource].
260			_aMilton, UNITED KINGDOM _bRoutledge _c2021.
300			_a1 online resource (133) : _bill.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aMuseums in focus
520			_aMuseums and Atlantic Slavery explores how slavery, the Atlantic slave trade, and enslaved people are represented through words, visual images, artifacts, and audiovisual materials in museums in Europe and the Americas. Divided into four chapters, the book addresses four recurrent themes: wealth and luxury; victimhood and victimization; resistance and rebellion; and resilience and achievement. Considering the roles of various social actors who have contributed to the introduction of slavery in the museum in the last thirty years, the analysis draws on selected exhibitions, and institutions entirely dedicated to slavery, as well as national, community, plantation, and house museums in the United States, England, France, and Brazil. Engaging with literature from a range of disciplines, including history, anthropology, sociology, art history, tourism and museum studies, Araujo provides an overview of a topic that has not yet been adequately discussed and analysed within the museum studies field. Museums and Atlantic Slavery encourages scholars, students, and museum professionals to critically engage with representations of slavery in museums. The book will help readers to recognize how depictions of human bondage in museums and exhibitions often fail to challenge racism and white supremacy inherited from the period of slavery.
588			_aOCLC-licensed vendor bibliographic record.
650		7	_aHISTORY / General _2bisacsh
650		0	_aSlavery in museum exhibits.
650		0	_aSlavery _xHistoriography _xSocial aspects.
650		0	_aSlave trade _xHistoriography _xSocial aspects.
650		0	_aSlave trade _xMuseums.
856	4	0	_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003080527
856	4	2	_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999			_c4746 _d4746