000 | 01447nam a22002057a 4500 | ||
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005 | 20241025123314.0 | ||
008 | 231204b |||||||| |||| 00| 0 eng d | ||
020 | _a9788172132816 | ||
082 |
_a781.60954162 _bVAI |
||
100 | _aMahanta, Pradip Jyoti, | ||
245 |
_aVaisnavite Music of Assam; _bits Institutionalization and Performative Context/ _cBy Pradip Jyoti Mahanta, |
||
260 |
_a Guwahati: _bPurbanchal Prakash, _c2016 |
||
300 |
_a176p., _c22cm, |
||
500 | _a1.The Vaisnava Renaissance in Assam 2. The Sattra Instituiton of Assam 3.Ankya Bhaona 4. Nam-Dharma 5. Bargit as a form of Raga Music 6.Intituitonalozation of the Vaisnavite Music in the context of performative Aspect of Dance 7. A few Rhythms in Sattriya Music of Assam 8.Vaisnavite Music of Assam: Prasanga Music of Barpeta SAttra and its performance 9. Vaisnava Music and the Assamese Folk 10. Practicing tradition and Emergence 11.Vaisnavite Music 12. Syncretism in Musical performance 13.An Understanding of Tribe -Caste Continuum among the Morans in the Context of the Mayamora Vaisnavas 14. Trace of Vaisnavite Music in Islamic Zikir 15.Influences of Bhakti Movement in the Husori Tradition of the Bihu Festival 16. The Frame of transaction and Interaction 17. Sattriya under the classical gaze 18. About the Contributors. | ||
650 | _aVaisnavite | ||
650 | _aMusic | ||
650 | _aAssam | ||
700 | _aPradiP Jyoti Mahantam, | ||
942 | _cBK | ||
999 |
_c4346 _d4346 |