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001 ocn768243548
003 OCoLC
005 20240523125534.0
006 m o d
007 cr cn|||||||||
008 111213s2009 njua ob 001 0 eng d
010 _z 2009037056
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020 _a9781118258002
_q(electronic bk.)
020 _a1118258002
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020 _a9780470588369
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020 _a0470588381
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020 _a0470588373
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020 _a0470556137
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020 _a9780470556139
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020 _a1282306510
020 _a9781282306516
020 _z9780470556139
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020 _a9786612306518
020 _a6612306513
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035 _a(OCoLC)768243548
_z(OCoLC)477759359
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037 _a10.1002/9781118258002
_bWiley InterScience
_nhttp://www3.interscience.wiley.com
037 _a148AD9AC-75C0-4E34-94D8-2B931C7869CB
_bOverDrive, Inc.
_nhttp://www.overdrive.com
050 4 _aTK5105.73
_b.S245 2009
072 7 _aLAN
_x015000
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072 7 _aREF
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072 7 _aLAN
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072 7 _aKJ
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082 0 4 _a808/.066384
_222
084 _a54.84
_2bcl
049 _aMAIN
100 1 _aSagolla, Dom.
245 1 0 _a140 characters :
_ba style guide for the short form /
_cDom Sagolla.
246 3 _aOne hundred forty characters
260 _aHoboken, N.J. :
_bJohn Wiley & Sons,
_c�2009.
300 _a1 online resource (xxviii, 179 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
505 0 _aFront Matter -- Lead. Describe: A Brief Digression to Discuss Journalism is Warranted -- Simplify: Say More with Less -- Avoid: Don't Become a Fable about Too Much Information -- Value. Voice: Say It Out Loud -- Reach: Understand Your Audience -- Repeat: It Worked for Shakespeare -- Mention: Stamp Your Own Currency -- Dial: Search for Silence, Volume, and Frequency -- Link: Deduce the Nature of Short Messages -- Word: Expose the Possibilities in Phraseology, Poetry, and Invention -- Master. Tame: Apply Multiple Techniques Toward the Same End -- Cultivate: Meet 140 Characters, Each with a Unique Story -- Branch: Steady, Organic Growth is Most Manageable -- Evolve. Filter: Teach the Machine to Think Ahead -- Open: Give and You Shall Receive -- Imitate: There is Nothing Original, Except in Arrangement -- Iterate: Practice a Sequence of Tiny Adjustments -- Accelerate. Increase Do More -- Fragment Do It Smaller -- Recommended Reading -- Glossary -- Index.
500 _aIncludes index.
505 0 _aDescribe : a brief digression to discussion journalism is warranted -- Simplify : say more with less -- Avoid : don't become a fable about too much information -- Voice : say it out loud -- Reach : understand your audience -- Repeat : it worked for Shakespeare -- Mention : stamp your own currency -- Dial : search for silence, volume, and frequency -- Link : deduce the nature of short messages -- Word : expose the possibilities in phraseology, poetry, and invention -- Tame : apply multiple techniques toward the same end -- Cultivate : meet 140 characters, each with a unique story -- Branch : steady, organic growth is most manageable -- Filter : teach the machine to think ahead -- Open : give and you shall receive -- Imitate : there is nothing original, except in arrangement -- Iterate : practice a sequence of tiny adjustments -- Increase : do more -- Fragment : do is smaller.
504 _aIncludes bibliographical references and index.
588 0 _aPrint version record.
520 _aMake the most of your messages on Twitter, Facebook, and other social networking sites. The advent of Twitter and other social networking sites, as well as the popularity of text messaging, have made short-form communication an everyday reality. But expressing yourself clearly in short bursts-particularly in the 140-character limit of Twitter-takes special writing skill. In 140 Characters, Twitter co-creator Dom Sagolla covers all the basics of great short-form writing, including the importance of communicating with simplicity, honesty, and humor. For marketers and business owners, social medi.
546 _aEnglish.
590 _aJohn Wiley and Sons
_bWiley Online Library: Complete oBooks
650 0 _aInstant messaging.
650 0 _aText messages (Cell phone systems)
650 0 _aElectronic mail messages.
650 0 _aDigital media
_xEditing.
650 0 _aOnline authorship.
650 0 _aAuthorship
_vStyle manuals.
650 0 _aElectronic mail systems.
650 2 _aText Messaging
650 2 _aElectronic Mail
650 6 _aMessagerie instantan�ee.
650 6 _aTextos.
650 6 _aCourrier �electronique.
650 6 _aInternet
_xArt d'�ecrire.
650 6 _aArt d'�ecrire
_vCodes typographiques.
650 6 _aM�edias num�eriques
_x�Edition.
650 7 _atext messages.
_2aat
650 7 _aelectronic mail.
_2aat
650 7 _aLANGUAGE ARTS & DISCIPLINES
_xRhetoric.
_2bisacsh
650 7 _aREFERENCE
_xWriting Skills.
_2bisacsh
650 7 _aLANGUAGE ARTS & DISCIPLINES
_xComposition & Creative Writing.
_2bisacsh
650 7 _aElectronic mail systems
_2fast
650 7 _aAuthorship
_2fast
650 7 _aDigital media
_xEditing
_2fast
650 7 _aElectronic mail messages
_2fast
650 7 _aInstant messaging
_2fast
650 7 _aOnline authorship
_2fast
650 7 _aText messages (Cell phone systems)
_2fast
650 1 7 _aWeb 2.0.
_2gtt
_0(NL-LeOCL)323856454
650 1 7 _aTaalgebruik.
_2gtt
_0(NL-LeOCL)089659651
650 1 7 _aSociale media.
_2gtt
_0(NL-LeOCL)331541327
650 1 7 _aWeblogs.
_2gtt
_0(NL-LeOCL)263285650
650 1 7 _aSchrijftaal.
_2gtt
_0(NL-LeOCL)078660912
655 7 _aStyle manuals
_2fast
655 7 _aGidsen (vorm)
_2gtt
_0(NL-LeOCL)088143201
776 0 8 _iPrint version:
_aSagolla, Dom.
_t140 characters.
_dHoboken, N.J. : John Wiley & Sons, �2009
_z9780470556139
_w(DLC) 2009037056
_w(OCoLC)368015193
856 4 0 _uhttps://onlinelibrary.wiley.com/doi/book/10.1002/9781118258002
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