000 04721nam a2200541 i 4500
001 9781350144224
003 CaBNVSL
005 20240305162747.0
006 m o d
007 cr cn|||||||||
008 211111t20212022enk ob 001 0 eng d
020 _a9781350144224
_q(electronic)
020 _a1350144223
_q(electronic)
020 _a9781350144200
_q(ebook)
020 _a9781350144217
_q(PDF)
020 _z9781350144194
_q(hardback)
020 _z9781350144187
_q(paperback)
024 7 _a10.5040/9781350144224
_2doi
035 _a(OCoLC)1290324697
040 _aCaBNVSL
_beng
_erda
_cCaBNVSL
_dCaBNVSL
050 4 _aPQ4155
_b.P53 2022eb
082 0 4 _a852/.052309
_223
100 1 _aPietropaolo, Domenico,
_d1949-
_eauthor
245 1 4 _aThe Commedia dell'arte /
_cDomenico Pietropaolo.
250 _aFirst edition.
264 1 _aLondon [England] :
_bBloomsbury Methuen Drama,
_c2022.
264 2 _a[London, England] :
_bBloomsbury Publishing,
_c2021
300 _a1 online resource (208 pages).
336 _atext
_2rdacontent
337 _acomputer
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aForms of drama
504 _aIncludes bibliographical references and index.
505 0 _aList of Figures -- Series Preface -- Acknowledgements -- Introduction -- Part 1: Form, Dramaturgy and Content of Early Commedia dell'Arte -- 1. The First Professionals -- 2. Elements of Form: Characters and Dramatic Actions -- 3. Elements of Form: The Scenario, Lazzi, Improvisation -- 4. Commedia dell'Arte and Ottonelli's Theology -- Part 2: Innovations in the 18th Century -- 5. From Scenario to Script: Riccoboni and Goldoni -- 6. Riccoboni's Commedia of Civic Responsibility -- 7. The Commedia dell'Arte in Goldoni's Reform -- 8. Gozzi's Fable Form: A New Horizon of Expectations -- Part 3: Adaptations and Revivals -- 9. Commedia dell'Arte and Grotesque Dance: Gregorio Lambranzi -- 10. Pulcinellate and Harlequinades -- 11. Commedia dell'Arte in the Opera Libretto -- 12. Continuity and Transformation in the 20th Century -- References -- Index
506 _aAbstract freely available; full-text restricted to individual document purchasers.
520 _a"What were the origins of commedia dell'arte and how did it evolve as a dramatic form over the next two centuries? How did its relationship to the ruling ideology of the day change during the Enlightenment? What is its legacy today? These are just some of the questions addressed in this authoritative overview of the dramatic, ideological and aesthetic form of commedia dell'arte. The book's three sections examine the changing role of performers and playwrights, improvisatory scenarios and scripted performance, and its function as a vehicle for social criticism, to offer readers a clear understanding of commedia dell'arte's evolution in Renaissance Italy. This study throws new light on the role of women performers; its changing ideological discourse, which included social reform and, later, conservatism and the alienation of ethnic minorities in complicity with its audience; and its later adaptation into hybrid forms including grotesque dance and the giullarata typified by the work of Dario Fo. In a commedia dell'arte play, the agents of the dramatic action are stock characters identified by costume, dialect, style of movement, dramatic function and social class, and they are, among other things, vehicles of the troupe's social criticism. A major product of the new entertainment industry of the Renaissance, commedia dell'arte rose quickly to a position of dominance in the European comic theatre. By the middle of the 18th century, it started to practice more genteel forms of humour and to mutate into other genres, such as the Harlequinade, grotesque dance and scripted comedy, becoming in the process an artistic accomplice of the counter-Enlightenment"--
_cProvided by publisher.
530 _aAlso published in print.
532 0 _aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
538 _aMode of access: World Wide Web.
650 0 _aCommedia dell'arte
_xHistory and criticism.
650 7 _aTheatre studies,Social & cultural history
_2bicssc
655 0 _aElectronic books.
776 0 8 _iPrint version:
_z9781350144194
_z9781350144187
830 0 _aForms of drama.
856 4 0 _3Abstract with links to full text
_uhttps://doi.org/10.5040/9781350144224?locatt=label:secondary_bloomsburyCollections
975 _aSupplementary Textbooks
999 _c10321
_d10321