000			04040nam a2200601 i 4500
001			9781350026407
003			CaBNVSL
005			20240305134533.0
006			m o d
007			cr cn|||||||||
008			210729s2021 enk ob 101 0 eng d
010			_z 2020045058 (print)
019			_a1081372689 _a1081393501
020			_a9781350026407 _q(ebook)
020			_z9781350026360 _q(print)
020			_z9781350026377 _q(hardback)
020			_z1350026379 _q(hardback)
020			_z1350026360 _q(paperback)
020			_z9781350026384 _q(ePub)
020			_z9781350026391 _q(PDF)
024	7		_a10.5040/9781350026407 _2doi
035			_a(OCoLC)1263823144
040			_aDLC _beng _erda _cCaBNVSL _dCaBNVSL
050		4	_aPN2071.M6 _bF46 2021eb
082	0	0	_a792.028 _223
100	1		_aFensham, Rachel, _eauthor.
245	1	0	_aTheory for theatre studies : _bmovement / _cRachel Fensham.
246	3		_aMovement
250			_aFirst edition.
264		1	_aLondon, England : _bZed Books, _c2021.
264		2	_a[London, England] : _bBloomsbury Publishing, _c2021
300			_a1 online resource (x, 191 pages).
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aTheory for theatre studies
504			_aIncludes bibliographical references and index.
505	0		_aMovement: introduction -- Movement as history -- Movement systems and embodied action -- Movement in contemporary theatre.
506			_aAbstract freely available; full-text restricted to individual document purchasers.
520			_a"How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises"-- _cProvided by publisher.
530			_aAlso published in print.
532	0		_aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
538			_aMode of access: World Wide Web.
650		0	_aMovement (Acting) _vCase studies.
650		0	_aMovement, Aesthetics of _vCase studies.
650		7	_aTheatre studies _2bicssc
655		0	_aElectronic books.
776	0	8	_iPrint version: _z9781350026360
830		0	_aTheory for theatre studies
856	4	0	_3Abstract with links to full text _uhttps://doi.org/10.5040/9781350026407?locatt=label:secondary_bloomsburyCollections
975			_aBC - Minor Textbooks
999			_c10269 _d10269