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The making of a music city : rock and pop in Melbourne / Shane Homan, Seamus O'Hanlon, Catherine Strong and John Tebbutt.

By: Contributor(s): Material type: TextPublisher: London [England] : Bloomsbury Academic, 2021Distributor: [London, England] : Bloomsbury Publishing, 2021Edition: First editionDescription: 1 online resource (224 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781501365713
  • 9781501365737
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 782.42166 23
LOC classification:
  • ML3534.6.A8 H666 2021eb
Online resources:
Contents:
1. Introduction -- 2. The Live Music City -- 3. The Permissive City -- 4. The Media City -- 5. The Recording City -- 6. The Legendary City -- 7. The Branded City -- 8. Conclusion: the Music City.
Summary: "How did Melbourne earn its place as one of the world's 'music cities'? Beginning with the arrival of rock 'n' roll in the 1950s, this book explores the development of different sectors of Melbourne's popular music ecosystem in parallel with broader population, urban planning and media industry changes in the city. The authors draw on interviews with Melbourne musicians, venue owners and policy-makers, documenting their ambitions and experiences across different periods, with accompanying spotlights on the gendered, multicultural and indigenous contexts of playing and recording in Melbourne. Focusing on pop and rock, this is the first book to provide an extensive historical lens of popular music within an urban cultural economy that in turn investigates the contemporary nature and challenges of urban music activities and policy."-- Provided by publisher.
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1. Introduction -- 2. The Live Music City -- 3. The Permissive City -- 4. The Media City -- 5. The Recording City -- 6. The Legendary City -- 7. The Branded City -- 8. Conclusion: the Music City.

Abstract freely available; full-text restricted to individual document purchasers.

"How did Melbourne earn its place as one of the world's 'music cities'? Beginning with the arrival of rock 'n' roll in the 1950s, this book explores the development of different sectors of Melbourne's popular music ecosystem in parallel with broader population, urban planning and media industry changes in the city. The authors draw on interviews with Melbourne musicians, venue owners and policy-makers, documenting their ambitions and experiences across different periods, with accompanying spotlights on the gendered, multicultural and indigenous contexts of playing and recording in Melbourne. Focusing on pop and rock, this is the first book to provide an extensive historical lens of popular music within an urban cultural economy that in turn investigates the contemporary nature and challenges of urban music activities and policy."-- Provided by publisher.

Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.

Mode of access: World Wide Web.

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